Not a prompt box. Studio studies the channel it is pointed at, writes to a story arc that actually holds attention, plans every shot, renders the film, and shows you the bill before it spends a cent.
You talk to a director. Behind it, each job goes to something that only does that job, and every step is a thing you can read, change, or reject.
Reads your last uploads and the numbers behind them, then reads the channels beating you. It reports what worked, and what to stop doing.
Scripts to a looped arc, hook to rising to conflict to comeback to payoff, and it refuses a chapter list that flatlines. Bring your own script and it fixes the pacing instead.
Upload three frames of your look and it holds that look across hundreds of images. Your channel keeps one face, not a new one every scene.
Stills or motion, narration, music bed, chapter by chapter so you can watch level one before you buy level eight. One encode path, broadcast loudness.
Titles, thumbnails, and descriptions built from what your audience clicked before, not from a generic template.
Runs around the clock asking two questions: why did they like this, and why did they leave. The answers become the next script's constraints.
Generation costs real money, so Studio treats it like money. Before anything renders you get a card with the exact shot count, the models it wants, and the total. Set a per-run cap, a per-day cap, and it stops rather than surprises you.
Per call, per session, per day. A model it cannot price is a model it refuses to run.
Buy the first twenty seconds, watch them, then decide about the other nineteen minutes.
Every image, second of video, and thousand characters of voice is itemised after the fact, per session.
Each tier includes a monthly generation allowance, which is the actual model spend Studio is allowed to make on your behalf. Go past it and you top up at cost, never at a markup.
One channel, shorts and your first long-form films.
The full pipeline on several channels, with motion.
Agencies and teams running channels for clients.
Seats open in small groups so the render queue stays fast. Tell me what you make and I will put you near the front of the line for it.